Wednesday, 2 March 2011

ROUGH CUT!!! YEY!!!

Here is our clip (finally) :D
i finally managed to export without it crashing :) for once...i think adobe premier might actually hate me.. ahh well...

leave your comments below telling me what you think and please remember that this is a rough cut, i am still working on it, so be kind :)

also, we will be re-filming some of our film footage as the camera is either shaky, the sound is not that great, continuity is crap and some of the shots do not give the effect that we hoped they would give.

these will be done hopefully sometime this week as we are trying to do them asap.

1 comment:

  1. 1. Cut is slightly too later on second shot at about 10s - should cut in just before feet appear on screen and cut away as soon as they leave.
    2. Use the audio from just one of the running shots in order to make it sound consistent
    3. The shot of the feet at about 20s seems a little random - again, you need to tighten the editing a little
    4. You really need to make sure that the beginning and ending of shots are more tightly edited; otherwise you lose the tension of your chase
    5. Nasty camera jerk at about 42s
    6. You could do with some music for this
    7. Some interesting camera-work - like the POV and canted angles
    8. Where are your titles/ credits going to come?
    9. Watch out for some of the glitchy sounds (e.g. at about 1.03) - you need to smooth out some of the edits (either by cross-fading sound or by lifting the audio from one clip and adding it to another)
    10. You're right about some of the slightly shaky camera work - a shame you didn't use a tripod for some of the longer shots (e.g at around 1.03)
    11. You need music to build up to the transfer moment
    12. The shot of the feet at about 2 mins is held too long
    13. A weird cut at 2.12
    14. ...and again at 2.25. Way to much feet. Cut this down a lot
    15. The sprialing shot is quite good
    16. The POV shot after this is held for too long
    17. The dialogue at about 3.08 onwards needs to be re-synched or re-shot; it's inaudible
    18. You could really do with shooting the dialogue sequence as the continuity project, with shot/ counter shot, action match and a range of CU/ 2 shots. Also, the dialogue should make some reference to her being followed, setting up the mystery.
    19. Pointless cross-fade at 3.30 - should be a cut. Also, seem to break the 180degree rule
    20. Where are your titles/ credits going to go?

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